My published editorial - www.thestyleking.com
From Philadelphia, to the London stage and back to America and the splendour of Hollywood Richard Gere has become the epitome of 1980’s masculine cool.
As a ladies man and sensational romantic heart throb he was the man of the decade; seductive, charming, handsome and perfectly turned out in the appropriate YUPPIE trends, Gere gave the girls someone to swoon and romanticise over and gave the boys a style icon with wit and charisma to idolise and embody.
Three films summarise Gere’s success and iconic status; American Gigolo, Pretty Woman and The Officer and the Gentleman.
These films, with there sex appeal and flare of the decade of excess that was the 80’s gave Gere the edge and the embodiment of many words that come to summaries the age; money, success, sex and flirtation.
All three films ooze Gere’s natural charm and cool, confident misdemeanour but one in particular launched his career as a Hollywood star and made him the icon of men’s style with alluring confident he is famed for. American Gigolo.
In American Gigolo, Richard Gere plays the well chiselled and sexually confident gigolo who can seduce and give sexual gratification to any woman he wants. After all, every man has one talent, right?
The plot has the normal high and low of a Hollywood block buster and of course the necessary love interested (Lauren Hutton), but what makes the biggest impact in the film (yes, part from his impeccable body, charm and killer theme tune) is his perfectly put together wardrobe. Seamless in style as he is in looks and in the bedroom department Julian Kay (Gere) boasted a preppy and perfectly constructed look.
Julian Kay was debonair and soave and proved it with a lifestyle and personal style that reflected it. His wardrobe was refined, the attention in the clean cut colour coordination and capsule collection of perfectly matching pieces. Always seen in tailored suits in various stages of undress in shades of grey, charcoal and chocolate brown with matching ties and shirts so crisp and body hugging that very little was left to the imagination.
The trousers were appropriately high-waisted for the films 1980 release and everything from his soft top, wrist watch, and the beautiful women he seduced suggested Kay was a smooth talking gentleman with an eye of style and good taste lapping up his luxurious and hedonistic lifestyle with confidence.
Kay had a distinctive American preppy look with a flare of European elegance; think Brooks Brothers and Ralph Lauren meets Armani.
In any of these three film with three very difference roles, Gere delivered everything a woman wanted; a confidence, seductive and handsome man who takes great pride in his appearance (but with no fuss) who also has a sensitive and venerable side. There to rescue and be rescued himself.
By Sam Outing